Dugin, Surkov, Rykov - Part II of the Plot Against the West
Continuing with this key opening scene at Prigozhin's Petersburg Troll Farm which sets out the tensions between the three men, and the key role of data
For more on the background to this scene, and the key ideological roles of the three protagonists - Konstantin Rykov, Vladislav Surkov and Alexander Dugin - please check out my previous post.
Dugin, Surkov, Rykov - the Trio at the Head of the Trojan Horse
As I said in a previous post, this story doesn’t really begin with Ambassador Yakovenko’s speech on Cape Idokapas, celebrating bringing Britain to its knees through Brexit, but much earlier.
This is all very much a first draft and I’m very happy to clear up any confusions or amend any infelicities in the verse as the story develops. And that’s what people forget about epic verse - it needs to be a great story.
Obviously, the novel and then film replaced verse as the main conveyor of epic storylines, and poetry was mainly reduced to the lyric or meditative form in the 20th Century. Whether I can do anything to counter that remains unknown. But so far, at least, this 11-syllable line seems to provide more flexibility and fun in modern English than 10 or 12 syllables (pentameter and hexameter).
But this is ongoing online experiment and work in progress…
Scene 1 Part Two
Still at the penthouse offices at the Internet Research agency…
Rykov grins. “Fuck yeah. Trash Team America” Dugin grimaces and strokes his long beard…. “I don’t like this language, Vladik, and I loathe The technology here on show. But while I fear It is capitulation even to use these terms, Unless ironically. All you say is true. We must Learn from our great enemy - the West. And in The final battle we must use every tool, No matter how crude and repulsive they are” Rykov smiles and pours out another vodka, Unaware of how quickly the historian, Can go from philosophy to anger. Surkov knows and sees the danger. For Dugin There is no intermediary between Dissatisfaction with someone and despair. He moves straight through annoyance to Animosity without missing a beat. Rykov warms to his vodka and his theme. “Some say that data has become the new oil, Or diamonds, gold, or some other mineral, Extracted from the earth, cooked underground. But information is never quite like this. Data is free. It rides on a beam of light, Fast as electrons but with even less weight. Data is the Word, the Truth, the Logos. It can unleash wisdom beyond reckoning Riches more than any computer can count. Data is the elixir of humanity: Distilled, it can predict whatever happens next. Every search we make, every purchase we complete, That becomes part of our psychometric profile: Billions of data points - your favourite songs, Photos of kids, dating online, travel plans, We know more and more about you every day. After ten likes on social media We know you better than most of your friends, After fifty likes, better than your partner. A hundred, we know you better than yourself. This data technology is so powerful It knows women are pregnant before they do: That men are going to commit violence Against themselves or others, the dark triad Of narcissism, psychopathy, and hate. In silica, we can model humankind, And the data reveals the repeating patterns Of repeatable and predictable people.” Unpredictable Dugin is chafing now, Jingling his car keys in his pocket. Surkov tries To shoot a glance - warn this isn’t working, Rykov is oblivious. “You know The Matrix. Sci-fi movie. It stars Keanu Reeves,” Dugin shakes his head and taps his keys on the desk. “Don’t watch the sequels, they retrospectively Ruin the first one. But in the first one Reeves Lives in a computer program hardwired to his brain Which looks, tastes and feels like everyday life. In reality, he is suspended in a pod, With millions of other humans harvested By robots for their calorific reserves. (That’s the one big flaw in the scenario. The fourth law of thermodynamics makes this Absurd). The story would make more sense if The machines were milking Keanu for his Data. It’s already happening. Think of this: The industrial age turned us into workers, We became just hands assembled on a line, Machine-driven robots day in and day out, And all that came with it - armies of Labour, Socialism, robotiye, revolution. Then, with the crisis of overproduction, Capitalism survived by turning workers Into consumers. The post-industrial age was born, TV sets, mass media, and advertising. And resistance to it averted by turning Us inside out, industrialising our inner lives. Communism failed. The Soviet Union fell. But Capitalism was still not satisfied. It’s greed knows no bounds — accepts no limits, So it came to its own final solution: Turn the worker and consumer into the product itself. That’s what it’s done. Like Keanu Reeve’s pod We are being milked and harvested online, Because when the product is free you are The product. From mechanising our habits to Exploiting our desires, Capital now Automates our reality and our beliefs. It’s invisible. Like the water we swim in. Until We see through the code. Then we can rewrite it. Then we can become, as Stalin once foretold, Engineers of human souls.” The half-rhyme irritates. Stalin even more. Dugin stands up as if ready to walk out. Only Rykov’s smug grin stops him….
TO BE CONTINUED WITH DUGIN’S ANSWER TO RYKOV NEXT WEEK